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Welcome to my blog

Magic by Sweven featuring Ingeborg, out tomorrow on Spotify Saturday 25th April

1/23/2021

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Music Video

MAGIC  is a dreamy pop song, and synth based song produced in Jml Music Studio.

S w e v e n  featuring Ingeborg

Sweven, featuring Ingeborg is now out with a new music video, some of the music video is filmed in the west of Norway in the summer, with fantastic scenery and landscape by the sea. Western Norway is famous for the fjords of Norway and believe it or not; Norway can get warm summers, even if our country is so far north. You will see the singer swimming in the fjords, we just had to film that, and what a summer.

Ingeborg about herself

Hi! My name is Ingeborg Modahl Trætteberg. I am 19 and have lived in Haugesund, Norway all my life. I’m in my final year at school and plan to start studying in the autumn. 

I spend my free time with friends and studying. I’ve always loved singing around the house, which used to annoy my parents and two btothers at times, although they often enjoyed it too. My parents are not looking forward to their youngest child moving out in the summer. It will suddenly be very quiet in the house.

Recording vocals in Jml Studio

I got an offer to record vocals on a song in Jml studio, this was an exciting prospect. I was used to singing for myself at home, but this was something I could not say no to. I really enjoyed the whole process and working with a dedicated and passionate music producer.

Thanks to

Thanks to Ingeborg for singing this song. Thanks to Bjarte Grønner for making the CD cover and photo for my YouTube thumbnail for this music video.
Let's hope the Covid - 19 is soon over so we can start traveling again, to visit more scenic landscapes of the world. Stay Strong,

All the best,
​Johan
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I Will Be There by Johan M. Leiva, feat. Kelsey from StudioPros on vocals

1/23/2021

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Music Video

I Will Be There
This is a pop ballad with a small amount of country influence, with female vocals. Johan M. Leiva wrote the song, and Kelsey from StudioPros is the singer on this album, she really has a great voice, take a listen for your self.
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You're Leaving  by Johan M. Leiva, feat. Kelsey from StudioPros on vocals

1/23/2021

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Music Video

You're Leaving is a dreamy pop ballad, very atmospheric and with ethnic elements in the start and in the end of the song. It's like a small musical journey of emotions and suggestions. Maybe You're Leaving is a love song and about two persons with different ethnic background. It definitely has a rather mysterious and visual feel to it.
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Into Nothing by Johan M. Leiva, feat. Robin Jacobsen and Elisabeth Moberg on vocals, Lyric Video

1/23/2021

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Music Video

Into Nothing is a song from a CD-release I did way back in time called Dreamworld. 

From  D r e a m w o r l d  CD

Dreamworld  is a music and sound project (CD-release) from Norway.
This project has come about in the true spirit of collaboration between musicians, sound producers, cover designers and the composer. Musicians of many styles have been a necessity on this project, due to the pluralistic style of the music.
Some of the tracks are a meeting point between different musical styles; Jazz, classical, folk, latin, pop, rock.
Have a listen.

Musicians

Elisabeth Moberg-Vokal ( - Featuring)
Robin Jacobsen-Vokal ( - Featuring)
Olav Dale-Soprano and tenor saxophone
Arild B. Nilsen-Trumpet
Sindre Dalhaug -Trombone
Johan Modahl Leiva –Guitars and synthesizer
Dag Arnesen-Piano
Geir A. Rognø-Bass Guitar
Stian Villanger-Drums and percussion
Ricardo Odriozola -1st Violin, 2nd Violin, 1st Viola and 2nd Viola
Sebastian Dørfler –Cello

Production team

Sound Produced by Jan Øyvind Hanevik and Håvard Matland
CD cover by Pål Hellesnes and Johan M. Leiva
Music produced and composed by Johan M. Leiva
Lyrics by Johan M. Leiva

Lyrics

Into Nothing
One thing we know
The world isn't changing.
We tried it all, but nothing is working
The makers of this world hold back all they know,
They betray all believers and make them fall.

I'm feeling sorry for myself,
I'm burning my feet
In the heat of the love you gave.
I'm going down with the ship,
I haven't moved my lips
since the day that you passed away.

Don't tell me a lie; you left a hole in the sky,
They call them Black Holes with the devil in mind. 
Where are they now, the ones that rained away into nothing in this war?

We've read all the books and we've heard all the stories
the time hasn't changed, they will force someone else.
We've seen on the wall, the stains of the ruler.
He will never fall, he’s protected by law.
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Lost World by Johan M. Leiva, feat. Robin Jacobsen on vocals, Lyric Video

1/22/2021

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Music Video

Lost World is a song from a CD-release I did way back in time called Dreamworld. 

From  D r e a m w o r l d  CD

Dreamworld  is a music and sound project (CD-release) from Norway.
This project has come about in the true spirit of collaboration between musicians, sound producers, cover designers and the composer. Musicians of many styles have been a necessity on this project, due to the pluralistic style of the music.
Some of the tracks are a meeting point between different musical styles; Jazz, classical, folk, latin, pop, rock.
Have a listen.

Musicians

Robin Jacobsen-Tenor vocal ( - Featuring)
Johan Modahl Leiva -Eletric guitar and electronic programming
Torleif Torgersen-Piano
Geir A. Rognø-Bass Guitar
Stian Villanger-Drums
Ricardo Odriozola -1st Violin, 2nd Violin, 1st Viola and 2nd Viola
Sebastian Dørfler –Cello

Production team

Sound Produced by Jan Øyvind Hanevik and Håvard Matland
CD cover by Pål Hellesnes and Johan M. Leiva
Music produced and composed by Johan M. Leiva
Lyrics by Johan M. Leiva

Lost World Poem

The hurricane of finance
Sweeping the face of the earth
Strong winds of greed and turmoil
But still silent voices from the people
No one to blame, only shameless rewards
No one to frame, only careless thoughts

Lost World Lyrics

The morning will rise 
But without any ice now
And the windows will be melting down
And the evening will shine
But never with a sign
His loneliness will overshadow

I cannot see where they're hiding
But I will fear
We can’t be where they're fighting
but it’s all here

I know; they try to blame us.
I can see the trail. 
We know; they try to frame us. 
This will be a sign of our time.

And the morning will rise
But without any time left
The colour of their eyes has gone
The evening will shine
but without any signs
Our loneliness is what they see
​
I know, they tried to blame us
I can see the trail
We know, they tried to frame us
This will be a sign of our time
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Most popular keys in songwriting

3/3/2018

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​Most common keys in music on Spotify

There are statistics for the most commonly used keys in the music on Spotify, but if we take all the musical styles on Spotify into consideration, the result would be slightly different than only looking at one particular style of music. 

Statistically there is more metal music on Spotify than pop music, and considering all the different musical styles that you will find on Spotify, the findings would be slightly different if you only looked at one particular musical style. If you look under you can see a chart made by Spotify data analyst Kenny Ning, hope you find it interesting.
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​Chart by Spotify data analyst Kenny Nin

​Most common keys in pop music

There are definitely some logical explanations why some keys in pop music are more commonly used than others. Most songwriters play guitar or piano, I’m sure the statistics will agree on that. I should think that some keys are more handy to play than others.
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​White keys on the piano

On the piano the white keys are easy to play, here you get the C major scale, or the relative A minor scale served on a plate. Without too much effort you will soon be able to get your chords going for your next hit. If it where only that easy, at least for your next song.
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​The Guitar Key

​On guitar the key of E major is also very convenient to play, with the open chords of E, A and B(7) you will easily come up with chords for your songwriting, and if you’re a guitar player you probably already have. 

The Spotify stats will show you that the E major scale is used on 3.6 % of all the music on Spotify, there is probably a crazy amount of guitar players out there, don’t you think?
But still, in pop music of today I think the key of E major would be slightly less used. E major is convenient on guitar, but still we are stuck with 4 sharps in this key.

​Pop Music

The tendency in pop music is often the usage of keys with less sharps or flats, with the possible exception of the key of C minor, with 3 flats. 
If you look at the chart made by Hooktheory, you will see what I mean. They have analysed a huge amount of pop songs when it comes to keys, chords and melodies. 
​

You will see in the chart under the most common keys in pop music, starting with the most frequently used keys to the less common ones, both major and minor keys are presented.
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Chart by Hooktheor

Major and relative minor

C/Am  (no sharps or flats, white keys on piano)
G/Em  (1 sharps)
Eb/Cm   (3 flats)
F/Dm   (1 flat)
D/Bm   (2 sharps)
A/F#m   (3 sharps)
E/C#m  (4 sharps, ¨The Guitar Key¨) ​

Bb major and D minor

Also note that the key of Bb major and it’s relative D minor with two flats are further down on the statistics, interestingly enough. Is it because it sounds more dull than other keys, or is it less practical on guitar and piano? Who knows, It’s probably not a coincidence.
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​C major and C minor on the piano

I, IV and V in the key of C major and minor (T, SD and D)But why is the keys of Eb major and it’s relative C minor with 3 flats more common in pop music than some keys with less sharps or flats in it?
I think the C minor is the exception here, because it’s easier to relate to, especially on piano. 
​

I, IV and V in the key of C major and minor

The key of C major is convenient with it’s white keys, if you take the primary chords in the key of C you get C, F and G. All you have to do with these chords is to convert them into minor chords by lowering the thirds in each chord, than you get: Cm, Fm and Gm from the key of C pure minor. There is more minor scales, but I won’t get into it here. ​
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​The Parallel C major and C minor

This ¨Parallel¨ relation between the C major and C minor can’t be overlooked, also in practical terms on the piano. It’s easy to interchange between the C major scale and the C minor scale, because both scales uses the same tonal center, which makes comparison between the scales very easy. 

On the Piano this is easy and natural to do, and also sometimes in music you borrow chords from the parallel minor when you use major, this is called modal interchange chords. I will get to this in the future blogs, but I will cover the basics first.
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​Musical examples in theory

In music theory the C-tone or the C-chord is often used as a reference point, usually to show various musical and theoretical examples.
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​Some keys sounds better than others

From a musical perspective another reason can be that the flat keys like the key of C minor or Eb often sound softer and less harsh then some keys with lots of sharps. Especially because all the overtones in the various keys produces different result from key to key. This is possible why some people say that some keys sounds better than others.
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​Listen to the Eb note versus the F# note

If you listen to the note Eb carefully on the piano you will hear it got softer vibrations than for instance the note F# that sounds more vibrant and harsh. You have to pay close attention to these two notes to hear the difference i’m talking about. If you play long notes it will be easier to hear. 
The different characters of the notes in the keys you use, has an impact on the music you do. Sometimes it’s just a feeling, but still go with the feeling and pick the best key for your song.

​Rounding off

That’s enough about keys for now, I hope you found it interesting, please share if you can. I will soon come back and talk about chords and voicing in pop music, with some great examples that I hope will be useful for your songwriting.

Best of Luck!

Johan
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What background do you need to be able to write great songs?

3/3/2018

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I should think that every songwriter wants to write great songs, but how is it done and what background do you really need in order to do it? I’m afraid there is no straightforward answer to this, but I will definitely try to say something about it, even if I’m still searching myself.

What background you need depends on many  things. Do you write songs for guitar and vocals, or piano and vocals? Or is your music production an integral part of your songwriting, using music software like Logic, Ableton, cubase and or other software.

​What is needed ?

Some people attend songwriting courses, or even study music to learn to master the craft of songwriting and some are self taught. Many people only had lessons on their instruments, which I think is probably the most important, but some write great songs even without playing an instrument at all, it is all possible.
In order to illustrate more about the background that is needed to write songs, I will need to break down the musical elements into different categories.
I will also discuss where the musical education comes in all of this, how much is it needed. There are so many options, so it’s definitely worth taking a further look at this.

​​Some musical categories

Melody and lyrics, chords and riffs, counter melodies and music production, music theory, and not at least the value of playing an chordal instrument.
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​Play a chordal instrument or music theory

It´s always useful to learn some music theory, but what part of musical theory is important when you write songs? To connect music to lyrics you need some inspiration; strum some chords on your guitar or play some chords on the piano and you are almost there. This is what I’m getting at. It´s not a coincidence that most songwriters play piano or guitar, and they write better songs because of it.
But unfortunately it’s not the only credential you need to write good songs, but maybe the only thing you need to learn, except from lyrics?
I think the key to writing good songs lies in learning to play piano or guitar at a fairly decent level, especially learning to play chords and trying to understand more about harmony is a good start.
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​Melody

What about melody? What background is needed to write decent melodies?
It probably sounds too easy, but I think most songwriters play some chords and get the vibe, and use their voice creatively to come up with melody. 

I don’t think using a theoretic, academic or an analytical approach to making melodies is the way to go. It will probably sound too calculated and possibly lack the natural creative flow that we humans somehow possess. 

I also think that creating good melodies should be a highly intuitive, inspirational and spontaneous prosess. You can’t learn it, but you can practice to get better at it.

​Harmony, chords and music theory

​Here there is usually some work to do, learn how to play chords on piano or guitar, take some lessons if needed. Spend some time reading about music theory, especially learn more about harmony, voice leading, intervals, ear training and the most important scales. 
All this has great practical use, also when producing music, how to lay down chords in a skilful way comes in handy both in a band situation as well as in studio.
I will write more about this in my future blogs, I’ve only just started and will come back to this.
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​​Riffs

Riffs should come up automatic when you jam on your guitar, bass or keyboard, and even when you produce music in your music software. If you play in a band this is a common way for musicians to make songs together, and often the riffs are part of it.
Work on your instrument, the riff certainly doesn’t happen because of something ¨boring¨ you once read in a dry music theory book. I must confess I enjoy music theory, but not everybody does, or needs to know too much about it either.
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​​Counter melodies

Sometimes a melody with lyrics can sound boring by itself, but when you add chords it can become more interesting, have you experienced this? In that case this can possibly tell us what harmonies can do to a song. 
It’s the same story when it comes to counter melodies, this is additional melodic material, often instrumental melodic stuff that goes in between the vocals with lyrics. This can be a game changer and make a huge difference in the outcome of your song. 
The counter melodies could be part of the arrangement of a song after the song is finished, but often broken chords, voice leading and complimentary melodic material makes its way into the song, long before the arrangement. ​

​Rhythm

I won’t talk much about rhythm this time, but the importance of it is pretty obvious. Melody, lyrics, riffs, chords, drums, bass lines and counter melodic material need to be part of an overall rhythmic structure of a song, just like everything else. 
Rhythm has something to do with the flow of the song, and the development. Rhythm is important for every musical part or instrument, it doesn’t have to be complicated stuff, less is sometimes more, but keep it together.
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​Lyrics

Most people have gone to school for many years and have learned to read and write, so why not apply this great knowledge when you write lyrics to a song. 

My first tip would be to find something that you feel strongly about when you tell a story, use your imagination. Put yourself in that creative flow, make it personal, but without people knowing it if you need to.
 
There is a lot of nourishment in relating or even identifying with stories. Get your scissors out and cut it until it’s in place. Take a course, read more about it on the web, many ways to learn.
But remember the lyrics have to fit the melody, that’s crucial and a later chapter by itself. Try to connect melody and lyrics intuitively, not necessary to be too analytical here either. 
Music and art should hopefully transcend to some form of greater expression, but it’s important to know the tools to get there. Talent definitely comes into this equation, but without steady and sometimes hard work the songs won’t get any better.

​​Write a song

It doesn’t matter how you write your song, what matters is that you actually write a song, and remember it can be done in many ways.
Some people do lyrics first, melody first, chords first, do a music production without melody first, even a bass line first, if it’s groovy enough it can easily spark off in any direction. You can do it!
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​​Please share, comment or like

I’ll be happy to hear what you think about this songwriting subject, please leave a comment, in English or Norwegian.
​
Happy songwriting and thanks for reading!

I appreciate if you share this post on Facebook, twitter or other places.
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Norwegian Trumpet - ​New CD (EP) release by Johan M. Leiva for trumpet and piano

12/31/2017

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Happy new year everybody!

Hi everyone! Today, the first day in 2018 I've decided to release some trumpet and piano music. I'm very happy to do this with two great musicians, Henning Anundsen on solo trumpet and Ljubov Katerli on piano. 
The music has been recorded by Håvard Matland at Manger folkehøgskole and it has been mixed and mastered by Torstein Lunde. Thanks to all of you for participating on this EP music release, and to Manger folkehøgskole (Music school) for letting us use the location and the grand piano for this project.

It's a new year with new possibilities for all of us. Personally I've not had enough time for blogging lately, I've been too busy with music projects and music technology, In 2018 I will do some more blogging. I wish you all a happy and peaceful New Year! I'll be very happy if you listen to my music, and also if you share it.

Listen to the music on the link under on Spotify,
i-Tunes or CD Baby

jmlmusic.hearnow.com/norwegian-trumpet

Buy the sheet music and download here

If you want to play these pieces yourself on trumpet, cornet or flugelhorn you can buy      them here for download and play along, click link over.

Four pieces

This is music for solo trumpet and piano, it's an EP I'm releasing, four pieces of music. The style is in the direction of classical music, but some of it also sounds more filmatic. The music sometimes moves in a landscape between expressive atmospheric jazz and classical music. The musical genre is of less importance to me, the perception of music and culture of our time is probably more relevant.
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España

España is a mysterious piece of music, sounds of Spain, sometimes in the distance. Both dark and beautiful, rich in sounds and harmonies. Very melodic in spite of the shades of sometimes darker qualities, a painting of musical landscape and reflections, also in a voice of silence. (duration: c.4.45 min) ​

Wake Up

Wake Up is a small and nice piece I wrote for my daughter for a solo competition some years ago. She won the competition, which was a proud moment for us all in the family. If you want to play a melodic ear-catching piece with nice harmonies I would definitely recommend this piece. (duration: c.2.15 min) ​
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Nebula

Nebula is a slow piece with poetic melodic lines and harmonies, in a rubato style. The sound is distant, mysterious and moving, as in the meaning of the word Nebula, to do with the endless universe. Nebula is a cloud of dust and gas in space, usually illuminated by one or more stars. Nebulae represent the raw material the stars are made of. Maybe in musical resemblance. (duration: c.3.45 min) ​

The Fairytale Waltz ​

The Fairytale Waltz was originally composed in 2008 as a solo piece for trumpet and piano, for my daughter Sophia. The Fairytale Waltz is a playful piece, with many surprises on the way. You can here elements of Jazz and classical music in a distance, but with a visual touch, with filmatic flow and atmosphere. The piece has an airiness about it, yet sometimes majestic and has also a slow beautiful section. In 2011 it was orchestrated for full orchestra as well, exploring some of the wonderful colours of the orchestra. (duration: c.5 min) ​​
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Henning Anundsen - solo trumpet

Henning was born in Stavanger where he learned to play the cornet in Tasta school band. He studied trumpet at the Grieg Academy under Helge Haukås. He has been working as a freelance musician, music teacher and conductor since then. He has worked, among others, with Bergen Philharmonic Orchestra and the Norwegian Navel Force Band. Also in his spare time music making is important, and he spent over 20 happy years with the well renowned Eikanger-Bjørsvik Musikklag.
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Ljubov Katerli - piano

Ljubov, b. 1981 is a multilateral pianist who performs both as a soloist and chamber musician. Her musical education is from Russia, Finland and Norway. Ljubov is interested in contemporary music and cooperation with the composers of our time.
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Håvard Matland and Torstein Lunde

Thanks to Håvard Matland for doing a great recording on this project, he is a sound engineer and music producer round and about in the Bergen area. Håvard also teaches sound production at Manger Folkehøgskole outside Bergen, and works with sound at TV2 here in Bergen.

Thank you Torstein for mixing and mastring this music, you did a great jobb as well! Torstein Lunde is a sound engineer, he also studied a year with Håvard Matland at Manger Folkehøgskole. Now Torstein has his own music studio, and works with live music and recording projects..
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Håvard Matland
Torstein Lunde

Johan M. Leiva

Johan M. Leiva is a songwriter, composer, music teacher and music producer from Bergen, Norway. He studied film music at Berklee College of Music, Boston (USA). Leiva has composed music for several films and commercials. He has also written music for orchestra, wind band, big band and brass band. Johan’s musical style has many references, finding the meeting point between musical genres is one of his aims.
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Thanks for reading and listening!
jmlmusic
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The Family Berg Experiences

6/27/2017

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Jml Film Music
”The Experiences of Family Berg”, a film directed by Pål Øie and produced by Jan Aksel Angeltveit (Alligator Film). Johan Modahl Leiva wrote the music for the film which was awarded best short film of the year in 2008 at the Norwegian Amanda prize awards.

The Burial

The Fireplace

The Freezer

The Family Berg Experiences

End Credits
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The Search

6/27/2017

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Jml Film Music
This film and music is by Johan M. Leiva. There is no diolog or voiceover in this short film, but there is still a story... You're free to interpretate, thats the key to this short film.
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    By Johan M. Leiva

    Composer, songwriter, music producer and tutor.
    ​Hi and welcome to my blog! 
    Here you will find News, Blogs, Video tutorials and tips. 

    Categories

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    1. Songwriting & Theory
    2. Music Videos S W E V E N
    3. Classical & Instrumental

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    ​Jmlmusic news and blog
    Now I will step up my blogging, and write more about what's going on in Jmlmusic. 
    ​
    What we do In Jmlmusic
    Compose music, write songs, produce music, make sheet music and some books on the music subject.

    Satara

    Nicholas H. Leiva
    Picture
    Satara is my sons artist name, he produce music and currently studying Music Production here in Norway.

    Nicholas has about 4 million views on YouTube with one of his tracks, about 8 million views and listens all together on different platforms. 
    Nicholas is now also a part of the Jmlmusic team.  ​
    ​We're reaching out
    If you are a talented singer we want to collaborate with you, We release music, maybe we can feature you on a song release on Spotify, or other platforms?
    Collaboration on songs is also something we do, Contact us and send us a demo of you singing, or your song. 

    Film projects
    Do you work on films, contact us for music, we'll be very happy to contribute with music on your film project.

    Johan M. Leiva
    My background is in music. I studied music both privately and at Berklee.College of Music, where I graduated in Film Scoring with a Diploma.  

    ​Everyone in my family plays an instrument, so our home is pretty much surrounded by music.

    Tweets by JmlmusicNorway

    Jml Sheet Music Instagram

    RSS Feed

    Some of my film music under
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